TS-999 “SubScreamer” is a digital emulation of an overdrive pedal for guitar. It has been developed to accurately model its real harware counterpart, built for Subhuman guitarists Matteo Buti and Elia Murgia by Ignite Amps in 2010.
The TS-999 core circuit is inspired by the most famous green “808” overdrive pedal, with additional features to increase its versatility.
It can easily add dirt and bite to clean guitar tones, as well as make the amplifier distortion sound tighter, more focused and more responsive to picking, avoiding low-end muddiness and high-end fizz.
Every single component on the signal path of the real analog circuit has been taken into account and modeled in the best possible way to match the original sound, keeping an eye to CPU performances and real-time playability at the same time.
TS-999 is meant to be used as an overdrive pedal for live playing, tracking or mixing inside hosts capable of VST or AU Plug-Ins support.
Get TS-999 and take it for a spin to fully assess its capabilities!
Download ⚙ https://bytlly.com/2smP9S
Download ⚙ https://bytlly.com/2smP9S
TS-999 1.5.0 Crack+ Download [2022-Latest]
• Flat, sensitive & controlled overdrive
• Increased voltage gain in order to achieve a natural output and tight mastering levels
• The “mooneye” effect when clipping is increased or decreased
• Two choices for gain level expression: To make full use of the full pot’s maximum, use the Gain Dial or turn the control to mids position.
• Two options to apply a “crunch” effect to the overdrive: From midrange use the Gain dial or turn the control to maximum position
• Four types of sweepable parameters in the Overdrive section: Gain, Level, Pitch and Bass/Treble
• Multiple voices: Chords, Tones, Lead & Solo
• A continuous feedback to reflect the internal “mooneye” effect. You’re able to hear how far the pedal is clipping
• A control to increase or decrease the intensity of the feedback with the “feedback g” toggle
• A Middle position that sounds more in line with the pedal’s original purpose
• Even smoother sound when the clipping is increased
• A simple on/off toggle on the Master section to use the “feedback g” control for choosing the “dead” side or a more natural signal
• A true “&” switch for putting extra “mooneye” to the lead channel, allowing it to become more aggressive than before
• Both channels have a simple “&” switch to make the lead channel louder than the vocals
• Chords are activated in both channels by “&” switches
• Even easier to swap the two channels
• A big knob to turn the level on all the sections in both channels
• Two modes for bank switching: Automatic mode allows you to change banks via an effect parameter or using the current preset as a bank
• Manual mode lets you load in the banks saved in a folder
• Two banks (Banks A and B) for all types of patches
• A bank assignment option for saving banks in groups (A to M for the first 18 banks, etc)
• Small on/off toggle on Bank B to enable the “&” switch for bank switching between B and A
• Bank assignment option for external data to be saved in a folder
• Multiple preset folders to save different types of patches
• 18 Impulse Reinforced switches with filter cutoff and volume control
• Three filtering modes for
TS-999 1.5.0 Free License Key
Input: 1/4” (6.35mm) jack
Output: 1/4” (6.35mm) jack
Output: USB connection
Size: 82 x 42 x 53 mm
Weight: 130 g
Load Level: -2/+5
Voltage: 1.0 V/1.5 V
Outputs: 2 x 1/4” (6.35mm)
The PAS-1 bass effects pedal is a massive and high-powered version of the original PAS-1 pedal.
The PAS-1 bass pedal is a bass/guitar effects pedal that applies solid state effects on the sound produced by one or more bass strings.
With PAS-1, even the most demanding bassists will be able to obtain the advantages of an effects pedal that they find hard to live without.
Thanks to the various configurations and the different varieties of PAS-1, you will be able to easily get the set-up that will suit the best and most accurate preamps and/or a high dynamic range sound quality.
PAS-1 is not the only pedal that applies solid state effects on the sound produced by basses and guitar: the PAS-1 is simply the most powerful.
The Inhibit system is the simplest way of using the PAS-1. Simply press the Inhibit button and the PAS-1 will be in Off mode. Any further button presses will send the sound and the volume of the effects through the Inhibit setting.
There are more advanced PAS-1 settings. The Clean setting is the most useful for guitars: it will filter out any noises, particles and transients (such as string noise). The Dirty setting will enhance all these sounds, enhancing the basses’ sound, turning it into a lively and gritty sound. The Wired setting is perfect for basses in which you can’t use the thumb fretboard as in a regular bass: this is the cleanest setting for these situations. The Wet setting will introduce some lo-fi sound (when the PAS-1 sees it as a low-impedance load) and it will greatly enhance the sound produced by the basses.
All the PAS-1 settings will work within the same sound source. If a source offers multiple options (for instance when using footswitches), then only one Inhibit setting will be active, while the other PAS-1 settings will not be active and
TS-999 1.5.0 Crack + Free Download
– VST and AU plug-in compatible for Mac and Windows
– 24dB/octave bandwidth
– 100Mhz sample rate converter
– Limiter: guitar super-boost 0-1V/octave, 0-1dB/octave
– Envelope filter: 1st order, 12dB cutoff
– Chorus: 5-40ms, 3-40ms, 2-30ms
– Delay: 10-100ms, 1ms
– Reverb: Space, Room 2, Hall 4-20ms
– 4 effects sliders: freq, depth, threshold, volume
– Internal loop (TS) for recording and overdubbing
– Sends control voltage to the Super Screamer (SD-1) when activated
Armata Drums and Logic Audio
A surprisingly small number of people realize that Logic is in fact a software drum machine.
Yet it’s the best sequencer out there, right?
And I have dozens of projects where it is the only drum machine.
This is my solution – use real drum machine(s) combined with a drum rack in Logic, and play/arrange it with your mouse or keyboard.
Then I use a Zoom H2 with “Armata Drums” from Roland to play my different layered drum racks inside Logic.
I cover in detail the setup, and also offer templates and other configurations in the description.
I also show how to use the Drum Rack track to transport your drum parts around and in the Transport functions.
More great videos:
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Download the Live to Reason template:
This is a free example of what I show in my Logic course, and it includes all the information you would need for the full lesson, but the more you practice in this template, the better you
What’s New in the?
• Analog Guitar Overdrive
• Lowpass, Bandpass and Highpass controls
• 4-Band High-pass EQ
• Boost, Cut and Drive controls
• 4-Band EQ with Volume and Gain controls
• Stereo Input and Output jacks
• Mono Headphone Input jack
• High/Low gain pedal
• Auto Off/On
• Assignable Footswitches
• Assignable LEDs
• Powered by 9v CR2 batteries or wall power adapter
SHAPE sTIMiT is a manual shaping pedal, based on the Blackstar MicroTron Fuzz. It adds a new tweak to your tone, in the style of the legendary Fuzz Factory series.
On first use, SHAPE sTIMiT behaves in the same way as the original Blackstar MicroTron Fuzz, replicating the channels for you on the fly. That is, until you turn the knob to the left.
Then it acts like an envelope, adding modulation to the output. Activate the knob back to its original position and it’s back to shaping. So giving you the maximum flexibility, although without a lot of hassle.
SHAPE sTIMiT offers a lot of possibilities, which are not possible with conventional pedals. And is that with SHAPE sTIMiT you can go beyond the 90’s!
SHAPE sTIMiT Description:
• Manual Tone Shaper
• 2 CV inputs
• 6 CV outputs
• Analog Driver with precise and high current output
• Fuzz/Noise/Clean/Gate switch with LED indicators
• Input: CV/Gate or Dual CV
• Output: CV/Gate or Dual CV
• 12 mA power
• 2 x 9 V battery power supply (recommended)
• Power supply rejection of +-25dB
• Class A/B operation
• SN56-based CV/Gate and dual CV output stages
• DMDS / DMX / MIDI in and out
• Low-pass filter with ratio adjustable from 16% to 100% of cutoff frequency
• Level trim fixed to +/- 10V or +/- 15V
• Control voltage: +/- 2.5 V
• Sustain pedal
• 5 output levels: OFF, 0%, 25%, 50%, 100%
• LED indicators to the status of each channel
• Footswitch connector
System Requirements For TS-999:
OS: Windows XP (SP3), Windows Vista (SP1), Windows 7 (SP1)
Processor: Intel Pentium 4 (3 GHz or faster)
Memory: 512 MB RAM
DirectX: Version 9.0c
Hard Drive: Minimum 1 GB
Video Card: 256 MB
Sound Card: DirectX 9.0c compatible
Welcome to Blacklight: Retribution! This is a demo of Blacklight: Retribution, developed by 3D Realms. The