It is able to Record from Audio Input (when Record Button is on) or Load Audio Files from Disk via Drag and Drop.
To Load a File just drop it somewhere on the plugin. Use the Grainmove Slider to Activate the ‘Stretch_Grainy_Innerloop’ Play Modus. Ctrl+Click on the Grainmove Slider sets it back to normal Play Modus. U can set the Playdirection of the Grainy_Innerloop Indepent from Main Direction with the Graindirection Button. When Restart is Switched on, the Loop is Restarted every x’t Bar (->textfield), Synced to Host-Songposition.
Envelopes: A = Attack, R = Release, L = Length scaled to current Loop-Length.
On all Parameters, you can use Shift+Click for Fine Adjustments!
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This ReLoOP is only available on the GrainTuner Silver Sleeves for now, because I don’t want to disturb the grainy-overlayed Audio for no reason.
The current Grainmove Slider (forward for ascending grainy-sizes or reverse for descending grainy-sizes) is merged with a Grainy-Effect on the Tone-Frequenz and the Grain-Amount.
The Grain-Amount effects the Grainy-Roughness, the Frequency-amount the Grainy-Amount and the Grainy-Satue (Audio-To-Grain Ratio).
The Grain-Amount can be Set with the Grainmove Slider when the ReLoOP is active (see the paragraph about it on the site).
When Record is activated, the Current Grainy-Amount is recorded on the Audio-Waveform as a Brick Colour (Red, Orange, Yellow, Green, Blue) during the Recording.
When the ReLoOP is active, the Grainy-Amount is synced to the Host-Songposition every x’t Bar, so the Grainy-Amount would be always the same over the whole Audio.
When Recording or Stopping in the ReLoOP Modus, the Grain-Amount is set to max, so it’s always as Grainy as possible.
The Vocals and the background Music are always Grainy, even if the ReLoOP is active, so the Audio is never grainy-free.
Because of the Audio-on-Audio-Process, the Audio is always grainy, even when you turn off the ReLoOP with the Grainmove Slider.
The ReLoOP is Activated with the Grainmove Slider when the ReLoOP button is pressed.
The playing mode is activated with the ReLoOP button.
When you stop the ReLoOP, the playing mode is automatically switched back to Play.
If a Record button is pressed, the ReLoOP modus is activated, the grainy-Background as well as the grainy-effects on the Envelopes are activated.
If the ReLoOP is active, the grainy-Background as well as the grainy-effects on the Envelopes are deactivated.
When you stop the ReLoOP, the Grainy-Effects on the Envelopes are deactivated, but not the grainy-Background, so you’ll hear still the grainy-Background.
If you press record, the
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If your soundcard doesn’t provide full duplex audio output (or if there are no constraints to enable it) then the plugin will buffer the audio input while the output is playing, and then output that data once the playback has ended. This can cause a noticeable ‘choppy’ effect on the output; however this is usually not noticeable on a good quality stereo soundcard.
I’ve been getting a lot of compliments on my latest release : DAW64: Audio On Hold (It’s (w)deceased). Lots of people really like the unique style, good sounds, superb GUI and even the effects (volumetric, time warping).
However, a few things could be done better. For example, I’ve used two 16bit audio clocks to improve the bitrate by quite a bit. My main problem with them, is that they’re not stereo clocks, but mono ones. Unfortunately they’re quite complex to use, so I turned to SysEx. It’s easy to generate, because they’re related to the offset of the sample, and then the sample can be choosen from 32 bit audio.
This upgrade offers a lot of new features! The most impressive is probably the additional Internal Volume Output (I’ll call it Incoming Volume). The developer, wyzcex, has released a video about it, and I’ll put some screenshots here.
The Demo shows an example of the recording process.
The main difference to wyzcex’s ULV64 is that this one has a stereo audio input (instead of mono in ULV64), and it offers a bitrate that would be acceptable for 192khz 24bit WAV. I’ve created a simplified version for WDM.
The drum channel is called Internal Recording, it’s mono and has an excellent sound. It’s preferable to the original channel, if you don’t want to add external hardware to your studio.
Here’s a strange issue I’ve noticed: I’ve recorded drums with the Developer Module in Direct Mix Mode. When I play the samples (in playback) out of the External Output, the hi-hats are recorded quite faithfully. When I do the same with the Internal Recording, they’re recorded with the original sound of the drum channel. This results in a strange sound!
Have you ever faced this issue? It sounds like some strange echo, but there is no echo. Is this a known issue?
Julien was
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If Record Button is switched on, after recording is finished, the Buffer is automatically cleared, so that the
Track is ready for next Record. (Useful for Live Recordings, where the recording is not saved after each part is completed, but on the Disk)
Touchscreen-Functions:
There are two Touchscreens. One for the movements of the Grain and Second one for Begin and End-Tracker.
It is easy to use. Just touch with your finger on the desired point and watch the Result on the Screen!
It works also with 2 fingers. But it is only possible when you are in ‘Stretch_Grainy_Innerloop’ Modus of course!
Im a big Fan of innerloops, so i made this Plugin. If you like it, Support it!
NEW:
v1.0.0:
New Color Schemes
New Points:
1. Adjust the Grain movement with “1mm” and “2mm”.
(See Picture 2)
2. Fine Tuning of the Grain Movement
You can use the Touchscreens for Fine Adjustments.
To use it with 2 fingers, you have to touch with the first finger, on the point and movement of the desired grain movement and the second finger, on the Touchscreen.
E.g.: Touchpoint “20mm”, Adjustment “2mm”.
It works also with 3 fingers. But it is only possible when you are in ‘Stretch_Grainy_Innerloop’ Modus of course!
If you like it, Support it!
On all Parameters, you can use Shift+Click for Fine Adjustments!
NEW:
v1.0.0:
New Color Schemes
New Points:
1. Adjust the Grain movement with “1mm” and “2mm”.
(See Picture 2)
2. Fine Tuning of the Grain Movement
You can use the Touchscreens for Fine Adjustments.
To use it with 2 fingers, you have to touch with the first finger, on the point and movement of the desired grain movement and the second finger, on the Touchscreen.
E.g.: Touchpoint “20mm”, Adjustment “2mm”.
It works also with 3 fingers. But it is only possible when you are in ‘Stretch_Grainy_Innerloop’ Modus of course!
E.g.: Touchpoint “20
What’s New in the?
This Plugin is mainly meant for grainy, distorted and warped sound, but can be used for many other things.
It’s possible to cut and paste snippets of audio to change, alter and create new styles of grainy sound.
The Plugin includes various pre-sets to choose from, and some presets are customizable as well.
This Plugin also includes some included Effects such as fade, flanging, phasing, chorus, distortion, resonance, echo and noise.
Now inspired by the plugin Reel Crusher, this is the successor to it.
Setting and plugin data are in one folder.
All Presets and.wav files are included.Harold Hillier
Harold Hillier (1892 – 1969) was an English editor of music periodicals. He compiled the published and personal references to Charles Ives which have inspired many musicians and writers.
Biography
Harold Hillier was born in 1892 to music teacher Edward Hillier and his wife, Alice (née Morgan). The family moved to London in 1895. His father encouraged him to read Homer as a child, but Harold felt that the Homeric epics were far above his head. He was later taught by his father, and later by Trethowan Davies, but that did not spark his interest in classical music. His father died when Hillier was fifteen, and Hillier was sent to live with his father’s sister, Emily Hillier (née Morgan) and her husband, Dr. Henry Forbes.
Hillier initially attended Girton College, Cambridge, where he was taught by the music critic G. Hopkins. When Hopkins moved to Canada, Hillier moved with him and joined the faculty at the University of Toronto.
Career
Hillier began his career in music publishing at the age of seventeen, working for the publishing firm of S. W. Partridge and Company. He moved to Shaw brothers’ Herbert Music in 1911, and shortly afterwards, he became Shaw’s secretary. In 1923, at Herbert Music, he was elected to the Royal College of Music Fellowship. He was promoted to editor in charge of Herbert Music publications in 1940.
Hillier became known for his nine volumes of The Personal Views of Charles Ives, published between 1939 and 1961. That series is thought to have had a profound effect on the appreciation of early American music. It was “the very first full-scale attempt to present Ives in any sort of comprehensive way”. The series was based on
System Requirements:
1. AMD Radeon Pro Duo or NVIDIA GeForce GTX 1080, 2GB VRAM.
2. Windows 10 – (Pro or Ultimate)
3. 11GB or more (recommended)
4. 4GB VRAM (recommended)
5. 1GB graphics card memory (recommended)
6. 720p – 1080p resolution
7. HDMI cable
To install:
1. Download the.zip file below
2. Extract the files to a location of your choice.
3. Double-
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